RAINWEAR IN FILMS – BY DIRECTORS (Updated 24 December 2011)

 

New Editions in red.

 

A.

Phillipe Agostini. RECONTRES (MEETINGS) (I/F) (1962)

 

Chantal Akerman. GOLDEN EIGHTIES (WINDOW SHOPPING) (USA) (1986)

 

Robert Aldrich. KISS ME DEADLY (USA) (1955)

CALIFORNIA DOLLS  (or ALL THE MARBLES) (F) (1981)

 

Rupert Aldrich. WORLD FOR RANSOM (US) (1953)

 

Lewis Allen. ANOTHER TIME ANOTHER PLACE (USA) (1958)

 

Woody Allen. SLEEPER (USA) (1973)

DECONSTRUCTING HARRY (US) (1997)

 

Robert Altman. BREWSTER McCLOUD (USA) (1970)

A PERFECT COUPLE (USA) (1979)

COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US) (1982)

THE LAUNDROMAT (USA) (1985)

GOSFORD PARK (US) (2001)

A PRAIRIE HOME COMPANION (US) (2006)

 

Alison Anders. GAS FOOD AND LODGING (US) (1992)

GRACE OF MY HEART (US) (1996)

 

Ken Annakin. THE HUGGETTS ABROAD (GB) (1949)

 

Jean- Jacques Annaud.  COUP DE TETE  (HOTHEAD) (F) (1979)

L’AMANT  (THE LOVER) (F/E) (1992)

 

Nimrod Antal. KONTROLL (H) (2003)

 

Franz Antel. EVA ERBT DAS PARADIES… EIN ABENTEUER IM SALZKAMMERGUT (AUST) (1951)

 

Gregg Araki. THE DOOM GENERATION (US) (1995)

 

Emile Ardolino. DIRTY DANCING (US) (1987)

 

Dario Argento. UCCELLO DALLE PIUME DI CRISALLO, L’ (THE BIRD WITH A CRYSTAL PLUMMAGE) (I/WG) (1970)

MOTHER OF TEARS (LA TERZA MADRE) (I/US) (2007)

 

Alan Arkin. LITTLE MURDERS (US) (1971)

 

Francois Armanet. LA BANDE DU DRUGSTORE  (THE DRUGSTORE GANG) (F) (2002)

 

Alvaro Fernandez Armero. EL ARTE DE MORIR (THE ART OF DYING) (SOUVENIRS MORTELS)  (S)  (2000)

 

David Arquette. THE TRIPPER (US) (2006)

 

John Arvet. UP CLOSE AND PERSONAL (US) (1996)

 

Anthony Asquith. THE WOMAN IN QUESTION (GB) (1950)

 

Olivier Assayas. FIN, AOUT, DEBUT SEPTEMBRE (LATE  AUGUST, EARLY SEPTEMBER) (F) (1998)

 

Alexandre Astruc. LES MAUVAISES RENCONTRES (THE BAD LIAISONS) (F) (1955)

 

Vincent Attal. MA FEMME EST UNE ACTRICE (MY WIFE IS AN ACTRESS) (F)  (2001)

 

Pierre Aubert.  LES VACANCES DE MONSIEUR HULOT (F) (with Bernard Maurice & Jacques Tati) (1952)

 

Michel Audiard.  COMMENT REUSSIR DANS LA VIE QUAND ON EST CON ET PLEUR  (HOW TO MAKE GOOD WHEN ONE IS A JERK AND A CRYBABY) (F) (1973)

 

Claude Autant-Lara. EN CAS DE MALHEUR  (LOVE IS MY PROFESSION (US title))  (F) (1958)

 

John H Aver. WOMEN IN WAR (USA) (1940)

 

John Avnet. BUNKER HILL (US) (2009)

 

Lisa Azvelos. COMME T’Y ES EST BELLE  (AS YOU’RE BEAUTIFUL) (UK/L/F/B) (2006)

 

 

 

B.

 

Lloyd Bacon. GOLD DIGGERS OF 1937 (USA (1937)

 

John Badham.  ANOTHER STAKEOUT (or THE LOOKOUT) (or STAKEOUT 2) (US) (1993)

WHO’S LIFE IS IT ANYWAY? (USA) (1981)

 

Roy Baker. PASSAGE HOME (GB) (1955)

FLAME IN THE STREETS (UK) (Roy Ward Baker) (1961)

 

Josiane Balasko.  SAC DE NOEUDS  (ALL MIXED UP) (Josiane Balasko) (F) (1985)

CLIENTE (F) (2008)

 

Erik Balling. SLAP AF FREDE (RELAX FREDDIE) (DK) (1966)

REND MIG I REVOLUTIONEN (DK) (1970)

 

Charles Band. TRANCERS  (FUTURE COP) (USA) (1985)

 

Eric Barbier. UN AIR DE LIBERTE (A FREEDOM AIR) (F) (1993)

 

Warren Beatty. DICK TRACY (USA) (1990)

 

William Beaudine. THE MAD PARADE (US) (1930)

 

Harold Becker. THE RAGMAN’S DAUGHTER (GB) (1972)

SEA OF LOVE (US) (1989)

 

Gilles Behat. URGENCE (F)  (1985)

 

Jean-Jacques Beineix. DIVA  (F) (1981)

 

Jack Bender. MY BROTHER’S WIFE (US) (1989)

 

Bill Bennett. TWO IF BY SEA (or STOLEN HEARTS) (US)  (1996)

 

Roberton Benton. KRAMER VS. KRAMER (USA) (1979)

 

Alain Berberian. CHASSEURS DE TUEUR  (SIX PACK) (F)  (2000)

 

Per Berglund. HUNDARNA I RIGA (THE DOGS OF RIGA  (UK) or THE HOUNDS OF RIGA (USA)) (S/DK/LV) (1995)

 

Ingmar Bergman. SUMMER INTERLUDE (Also known as ILLICIT INTERLUDE and  SOMMARLEK) (S) (1951)

WILD STRAWBERRIES (SMULTRONSTALLET) (S) (1957)

PERSONA (S) (1966)

 

Frederick Berthe.  ALIVE (F) (2004)

 

Patrick-Mario Bernard. L’AUTRE (F) (with Pierre Trividic) (2009)

 

Bernard-Roland. LA NUIT DES TRAQUES (F/B) (1959)

 

Curtis Bernhardt. MISS SADIE THOMPSON (LA BELLE DU PACIFIQUE) (US) (1953)

 

John Berry. HE RAN ALL THE WAY (US)  (1951)

 

Pierre Billon. MADEMOISELLE X  (F) (1945)

DELIRIO (I/F) (OUTRAGE) (F) (1954)

 

Bruce Bilson. NORTH AVENUE IRREGULARS (US) (1979)

 

Noel Black. A MAN, A WOMAN AND A BANK (C)  (1979)

 

John E. Blakeley. IT’S A GRAND LIFE (UK)  (1953)

 

William Peter Blatty. THE EXORCIST 3 (US) (1990)

 

Alain Bloch. LA MARTINGALE  (MACHEN SIE IHR SPIEL) (S/F) (1983)

 

Christoffer Boe. RECONSTRUCTION (D) (2003)

 

Yves Boisset.  FOLL A’ TUER  (MAD ENOUGH TO KILL) (F) (1975)

 

Pascal Bonitzer. LE GRAND ALIBI (GRAND ALIBI) (F/I) (2008)

 

Alain Bonnot. UNE SALE AFFAIRE (F) (1981)

LISTE NOIRE  (BLACK LIST) (F) (1984)

 

John Boorman. DELIVERANCE (USA) (1972)

HOPE AND GLORY (UK) (1987)

 

Frank Borzage. STRANGE CARGO (USA) (1950)

 

John Boulting. BRIGHTON ROCK (GB) (1947)

 

Danny Boyle. A LIFE LESS ORDINARY (US) (1997)

 

Tinto Brass. COL CUORE IN GOLA (DEADLY SWEET or HEART IN HIS MOUTH) (I/F) (1967)

 

Mario Brava.  LA RAGAZZA CHE SAPEVA TROPPO  (THE GIRL WHO KNEW TOO MUCH) (LA FILLE QUI EN SAVAIT TROP) (I) (1963)

 

Paddy Breathnach. SHROOMS (IRE/D/UK) (2008)

 

Jacues Brel. FRANZ (B/F) (1971)

 

Robert Bresson. LES DAMES DU BOIS DE BOULOGNE (F) (1944)

 

James L. Brooks. TERMS OF ENDEARMENT (US) (1983)

 

Mel Brooks. THE PRODUCERS (LES PRODUCTEURS) (USA) (1967)

SILENT MOVIE (US) (1976)

 

Richard Brooks. TAKE THE HIGH GROUND (USA) (1953)

CAT ON A HOT TIN ROOF (USA) (1958)

 

Clarence Brown ANNA CHRISTIE (GB) (1930)

THE HUMAN COMEDY (USA) (1943)

NATIONAL VELVET (US) (1945)

ANGELS IN THE OUTFIELD (or ANGELS AND THE PIRATES) (US) (1951)

 

Luis Bunuel. BELLE DE JOUR (BEAUTY OF THE DAY) (F) (1967)

 

Tim Burton. BATMAN RETURNS (USA/UK) (1992)

 

Edward Buzzell. AT THE CIRCUS (UN JOUR AU CIRQUE) (US) (1939)

 

 

C.

Martin Campbell. GOLDENEYE (UK/USA) (1995)

 

Marcel Carne. QUAI DES BRUMES (F) (1938)

 

Alberto Cavalcanti. THEY MADE ME A FUGITIVE (US title: I BECAME A CRIMINAL) (UK) (1947)

 

Alain Cavalier. LA CHAMADE  (HEARTBEAT) (F)  (1968)

 

Liliana Cavani. THE BERLIN AFFAIR (I/WG) (1985)

 

Andre Cayatte. LE MIROIR A DEUX FACES  (THE MIRROR HAS TWO FACES) (F) (1958)

 

Claude Chabrol.

QUE LA BETE MEURE (THIS MAN MUST DIE; KILLER) (F) (1969)

DOCTEUR (or DR) POPAUL (F) (1972)

LES NOCES ROUGES  (WEDDING IN BLOOD) (F) (1973)

 

Don Chaffey. PETE’S DRAGON (US) (1977)

 

Christian De Chalonge. L’ALLIANCE (F) (1971)

L’ARGENT  DES AUTRES  (OTHER PEOPLES MONEY) (F) (1978)

 

Park Chan-Wook. CHINJEOLHAN GEUMJASSI  (LADY VENGEANCE) (SK) (2005)

 

Etienne Chatiliez. TANGUY (F) (2001)

 

Pierre Chenal. RAFLES SUR LA VILLE  (SINNERS OF PARIS) (F) (1957)

 

Joan Chew. AUTUMN IN NEW YORK (US) (2000)

 

Michael Crichton. COMA (US) (1978)

PHYSICAL EVIDENCE (US) (1989)

 

Rene Clement. KNAVE OF HEARTS (GB) (1954)

RIDER ON THE RAIN (LE PASSAGER DE LA PLUIE) (F/USA) (1970)

 

Henri-Georges Clouzot .  LES DIABOLIQUES (THE FIENDS) (F) (1955) 

LA PRISONNIERE (F) (FEMALE PRISONER) (LA PRIGIONIERA (I)) (WOMAN IN CHAINS (USA)) (F/I)  (1968)

 

Nigel Cole. MADE IN DAGENHAM (UK) (2010)

 

Peter Collison. UP THE JUNCTION (UK) (1968)

 

Lance Comfort. HOTEL RESERVE (UK) (with  Mutz Greenbaum & Others) (1944)

DAUGHTER OF DARKNESS (UK) (1948)

 

PORTRAIT OF CLARE (UK) (1950)

 

Nina Companez. FAUSTINE ET LE BEL ETE  (FAUSTINA AND THE BEAUTIFUL BEEN) (F) (1971)

 

Jack Conway. TWELVE MILES OUT (USA) (1927)

 

Merian C. Cooper.  KING KONG (US) (1933) (and Ernest Schoedsack)

 

Frederick De Cordona. HER KIND OF MAN (US) (1946)

 

Alain Corneau. LE COUSIN (F)  (1998)

 LE DEUXIEME SOUFFLE (THE SECOND WIND) (F) (2007)

 

Henry Cornelius. GENEVIEVE (GB) (1953)

 

Alex Cox. SID AND NANCY (GB) (1986)

 

John Cromwell. OF HUMAN BONDAGE (US) (1934)

SO ENDS OUR NIGHT (US) (1941)

 

George Cukor. SYLVIA SCARLETT (US) (1935)

LET’S MAKE LOVE (USA) (1960)

 

Irving Cummings. SOMETIMES IN THE ROCKIES (US)  (1942)

 

Sean S. Cunningham. FRIDAY THE 13TH PART 1 (US) (1980)

 

 

D.

Rene Daalder. HABITAT (CAN/NL) (1997)

 

Joe D’Amato. ELEVEN DAYS ELEVEN NIGHTS (US/I) (1986)

 

Jules Dassin. 10.30 P.M. SUMMER  (US/SP) (1966)

 

Robin Davis.  LE CHOC  (SHOCK) (F) (1983)

 

Basil Dean. SING AS WE GO (GB) (1934)

 

Basil Deardon. FRIEDA (UK) (1947)

WOMAN OF STRAW (GB) (1964)

 

Philippe De Broca. L’MANT DE CING JOURS (INFIDELITY) or (THE FIVE DAY LOVER) (F) (1960)

 LE DIABLE PAR LA QUEUE  (THE DEVIL BY THE TAIL) (F/I) (1968)

L’INCORRIGIBLE  (THE INCORRIGIBLE) (F)  (1975)

 

Andy DeEmmony.  FILTH: THE MARY WHITEHOUSE STORY (UK) (2008)

 

Brian De Palma. FEMME FATEL (US) (2002)

 

Henri Decoin. ABUS DE CONFIANCE  (ABUSED CONFIDENCE) (F) (1938)

LA CHATTE (THE CAT) (THE FACE OF THE CAT) (F) (1958)

 

Lee Demarbre. SMASH CUT (C) (2009)

 

Jonathan Demme. THE TRUTH ABOUT CHARLIE (USA/G)  (2003)

 

Jacques Demy.  LES PRAPLUIES DE CHERBOURG  (THE UMBRELLAS OF CHERBOURG) (F/WG) (1964)

 

Jacques Deray.  L’HOMME DE MARRAKESH  (OUR MAN IN MARRAKESH) (F) (1966)

BORSALINO (F/I) (1970)

UN PAPILLON SUR L’EPAULE (F)  (1978)

ON NE MEURT QUE DEUX FOIS  (HE DIED WITH HIS EYES OPEN) (F) (1985)

 

Scott Derrickson.  HELLRAISER INFERNO (USA) (2000)

 

Michel Deville. L’APPARTEMENT DES FILLES (F/WG/I) (1963)

 

William Dieterle. SATAN MET A LADY (US) (1936)

 

Mark A.Z. Dippe. SPAWN (US) (1997)

 

Roger Donaldson. THE BANK JOB (BRAQUAGE A L’ANGLAISE) (UK) (2008)

 

Stanley Donen.  SINGIN’ IN THE RAIN (USA) (with Gene Kelly) (1952)

CHARADE (USA) (1963)

ARABESQUE (GB) (1966)

TWO FOR THE ROAD (US) (1967)

 

Clive Donner. WHAT’S NEW PUSSYCAT? (QUOI DE NEUF PUSSYCAT?) (USA/GB/F)(1965)

 

Richard Donner. ASSASSINS (USA) (1995)

 

Marcel Dorcel.  LA PRINCESSE ET LA PUTE  (THE PRINCESS AND THE TURKEY) (F) (1996)

 

Doris Dorrie.  MANNER (D) (1985)

 

Gordon Douglas. MARA MARU (US)  (1952)

HARLOW (US)  (1965)

 

Stan Dragoti. MR MOM (US) (1983)

 

Philip Dunne. WILD IN THE COUNTRY (US)  (1961)

 

E.A. Dupont. THE BISHOP MISBEHAVES (US) (1935)

ON SUCH A NIGHT (US) (and Karen Morley and Milli Monti) (1937)

 

Daniel Duval. LA DEROBADE (F) (Daniel Duval) (1979)

 

Julien Duvivier. VOICI LE TEMPS DES ASSASSINS (DEADLIER THAN THE MALE) (F) (1956)

 LE DIABLE ET LEX DIX COMMANDEMENTS  (THE DEVIL AND THE TEN COMMANDMENTS) (F) (1962)

 

Edward Dymtryk. FAREWELL MY LOVELY (US) (1945)

 

 

E.

Blake Edwards. BREAKFAST AT TIFFANY’S (US) (1961)

THE TRAIL OF THE PINK PANTHER (USA/UK) (1982)

 

Hilton Edwards. RETURN TO GLENNASCAUL (E) (1951)

 

Bertrand Van Effenterre. QUAND UN ANGE PASSE (WHEN AN ANGEL GOES) (F)  (1998)

 

John Eldridge. LAXDALE HALL (GB) (1952)

 

Robert Enrico. LA BELLE VIE (F) (1963)

TANTE ZITA  (ZITA) (F)  (1968)

 

Marc Evans. TRAUMA (UK)  (2004)

 

 

 

F.

John Farrow. THE SEA CHASE (US) (1955)

 

Rainer Werner Fassbinder. LILI MARLEEN (D) (1980)

 

Petter A. Fastvold.  FOMLESEN I KATTEPINE (FUMBLEBODY IN A CAT-ASTROPIC JAM) (N) (1999)

 

Francois Favrat.  LE ROLE DE SA VIE  (THE ROLE OF HER LIFE) (F) (2004)

 

Federico Fellini. ROMA (I/F) (1972)

LA VOCE DELLA LUNA (F/I) (1990)

 

Abel Ferrara.  THE DRILLER KILLER (USA) (1979)

 

Jacques Feyder. MACADAM (BACK STREETS OF PARIS) (F) (1946)

 

David Fincher. SE7EN (USA) (1995)

 

Michael Firth. SYLVIA (NZ) (1985)

 

Richard Fleische. FOLLOW ME QUIETLY (US) (1949)

 

Andrew Fleming. THE CRAFT  (DANGEUREUSE ALLIANCE) (US) (1996)

DICK (USA/F/C) (1999)

NANCY DREW (USA) (2007)

 

Anne Fontaine. LA FILLE DE MONACO  (THE GIRL FROM MONACO) (F) (2008)

 

Bryan Forbes. THE NAKED FACE (US) (1984)

 

John Ford. MOGAMBO (USA) (1953)

 

Norman Foster. JOURNEY INTO FEAR (US) (with an uncredited Orson Welles) (1942)

 

Gianni Franciolini. SIAMO DONNE  (NOUS LES FEMMES) (I) (with Roberto Rossellini,  Luigi Zampa, Luchino Visconti) (1953)

 

George Franju . LES YEUX SAN VISAGE  (EYES WITHOUT A FACE) (F)  (1960)

 

Melvin Frank. STRANGE BEDFELLOWS (USA/GB/I) (1965)

 

John Frankenheimer. THE MANCHURIAN CANDIDATE (US)  (1962)

GRAND PRIX (US) (1967)

 

Stephen Frears. THE QUEEN (UK/F/I) (2006)

 

Harold French. JEANNIE (GB)  (1941)

 

Charles Frend. JOHNNY FRENCHMAN (GB) (1946)

 

Keith Fulton. LOST IN LA MANCHA (USA/UK) (2002)

 

Sidney J. Furie. THE LEATHER BOYS (GB) (1963)

WONDERFUL LIFE (UK) (1964)

 

Tim Fywell. I CAPTURE THE CASTLE (UK) (2003)

 

 

G.

 

Samuel Gallu. THE MAN OUTSIDE (UK) (1967)

 

Oliver H.P. Garrett. CAREFUL, SOFT SHOULDER (US)  (1942)

 

Bruce Gilbert. ON GOLDEN POND (US) (1981)

 

Lewis Gilbert. COSH BOY (UK) (1952)

EDUCATING RITA (UK) (1983)

 

David Giles. A MURDER IS ANNOUNCED (UK/USA/A) (1985)

 

Terry Gilliam.  TIME BANDITS (UK) (1981). 

L’ARMEE DES 12 SINGES (TWELVE MONKEYS) (USA) (1995)

 

Jose Giovanni. DERNIER DOMICILE CONNU (LAST ADDRESS KNOWN) (I/F) (1970)

 

Jean- Luc Goddard. MASULIN FEMININ (F)  (1965)

MADE IN USA (F) (1966)

2 OU 3 CHOSES QUE JE SAIS D’ELLE  (2 OR 3 THINGS I KNOW ABOUT HER) (F) (1967)

 

Peter Godfrey. THE TWO MRS CARROLLS (US) (1947)

 

Jack Gold. ACES HIGH (GB) (1976)

 

Mark Gordon. HARD RAIN (US) (with Gary Levinsohn) (1997)

 

Robert Gordon. BLACK ZOO (USA) (1963)

 

Claude Goretta. LA DENTELLIERE (THE LACEMAKER) (S) (1977)

 

Alfred Goulding. THE ADVENTURES OF JANE (GB) (with Edward Whiting) (1949)

 

Edmund Goulding. WE’RE NOT MARRIED (US) (1952)

 

William A. Graham. SECRETS OF A MARRIED MAN (USA) (1984)

 

Gilles Grangier. LA VIERGE DU RHIN  (THE VIRGIN OF THE RHINNE) (F) (1953)

 

Denys Granier-Deferre. L’AFFAIRE RANUCCI: LE COMBAT D’UNE MERE  (THE CASE RANUCCI: THE STRUGGLE OF A MOTHER) (F/B) (2006)

 

Darren Grant. DANCING GIRLS (F) (2009)

 

David Green. CAR TROUBLE (GB) (1985)

 

David Greene. THE SHUTTERED ROOM (GB)  (1967)

 

Mutz Greenbaum. HOTEL RESERVE (UK) (with Lance Comfort & Others) (1944)

 

Peter Grenville. ME AND THE COLONEL (US)  (1958)

 

Jean Grimillon. LA PETITE LISE (F) (1930)

 

Nikolai Gubenko. IZ ZHIZNI OTDYKHAYUSHCHIKH (LIFE ON HOLIDAYS) (R) (1982)

 

Val Guest. THE SHIP WAS LOADED (Retitled CARRY ON ADMIRAL) (UK) (1957)

CASINO ROYALE (UK/USA) (and Robert Hughes with John Huston, Joseph McGrath, Robert Parrish and Richard Talmadge) (1966)

 

Jean-Claude Guiguet. FAUBOURG SAINT-MARTIN (SUBURB SAINT-MARTIN)  (F)  (1986)

 

Sacha Guitry. LES TROIS FONT LA PAIRE (F) (1957)

 

 

 

H.

Taylor Hackford. DOLORES CLAIBORNE (US) (1995)

 

Piers Haggard. THE LIFEFORCE EXPERIMENT (US) (1994)

 

Alexander Hall.  DOWN TO EARTH  (USA) (1947)

 

Robert Hamer. IT ALWAYS RAINS ON SUNDAY (GB)  (1947)

 

Michael Haneke. LA PIANISTE  (THE PIANO PLAYER) (F) (2001)

 

Curtis Hanson. THE BEDROOM WINDOW (US) (1987)

 

Philippe Harel. TU VAS RIRE, MAIS JE TE  QUITTE  (YOU’LL LAUGH BUT I LEAVE YOU) (F) (2005)

 

Mary Harron. AMERICAN PSYCHO (USA) (2000)

 

Robert Hartford-Davis. THE SANDWICH MAN (GB) (1966)

 

Byron Haskin. THE WAR OF THE WORLDS (US) (1953)

 

Henry Hathaway. NIAGARA (US)  (1953)

CIRCUS WORLD (THE MAGNIFICENT SHOWMAN) (UK) (1964)

 

Sidney Havers. PAYROLL (UK) (1961)

 

Howard Hawks. TO HAVE AND HAVE NOT (US)  (1944)

RED LINE 7000 (US) (1965)

 

Sidney Hayers. REVENGE (or THE INN OF THE FRIGHTENED PEOPLE) (UK) (1976)

 

David Hemmings. PASSPORT TO MURDER (US/H) (1993)

 

Astrid Henning-Jenson. DE POKKERS UNGER  (THOSE BLASTED KIDS) (or THOSE DAMNED KIDS) (DK) (with Bjarne Henning-Jenson) (1947)

 

Bjarne Henning-Jenson. DE POKKERS UNGER  (THOSE BLASTED KIDS) (or THOSE DAMNED KIDS) (DK) (with Astrid Henning-Jenson) (1947)

 

Jean Herman.  LA DIMANCHE DE LA VIE  (THE SUNDAY OF LIFE) (F)  (1967)

 

Mark Herman. LITTLE VOICE (UK) (1998)

 

Stuart Hesler. THIS IS MY LOVE (US) (1954)

 

David Heyman. THE HAWK (GB) (1993)

 

Laurent Heynemann. IL FAUT TUER BIRGITT (WG) (1981)

 

Arthur Hiller. THE AMERICANIZATION OF EMILY (US) (1965)

PROMISE HER ANYTHING (GB) (1966)

AUTHOR, AUTHOR (US) (1982)

OUTRAGEOUS FORTUNE (US) (1987)

 

Oliver Hirschbiegel. INVASION  (US) (2007)

                                                                      

Alfred Hitchcock. RICH AND STRANGE (UK) (1932) (Sometimes 1931)

REBECCA (US) (1940)

FOREIGN CORRESPONDENT (USA) (1940)

SPELLBOUND (US) (1945)

STAGE FRIGHT (UK) (1950)

TORN CURTAIN (US) (1966)

FAMILY PLOT (US) (1976)

 

Mike Hodges.  GET CARTER (LA LOI DU MILIEU) (GB) (1971)

 

Michael Hoffman. ONE FINE DAY (US) (1996)

 

Gunnar Hoglund. SOM HAVETS NAKNA VIND (S) (AS THE NAKED WIND FROM THE SEA) (1968)

 

Ishiro Honda.  IDO ZERO DAISAKUSEN  (LATITUDE ZERO) (USA/J) (1969)

 

Tobe Hooper. LIFE FORCE (GB) (1985)

 

Richard Huber. LOVE TRIP (D)  (2001)

 

Jean-Loup Hubert. LA SMALA (F) (DECEMBER) (1984)

 

David Hughes. EMMANUELLE IN SOHO (GB) (1970)

 

John Hughes. SIXTEEN CANDLES (USA) (1984)

 

Ken Hughes. THE LONG HAUL (UK) (1957)

 

Robert Hughes. CASINO ROYALE (UK/USA) (and Val Guest with John Huston, Joseph McGrath, Robert Parrish and Richard Talmadge) (1966)

 

Metin Huseyin. ANITA AND ME (UK) (2002)

 

John Huston. THE MACKINTOSH MAN (GB) (1973)

CASINO ROYALE (UK/USA) (also Val Guest and Robert Hughes with Joseph McGrath, Robert Parrish and Richard Talmadge) (1966)

 

 

 

I.

John Irvin. CHAMPIONS (UK/USA) (1984)

 

James Ivory. SURVIVING PICASSO (US) (1996)

LE DIVORCE (F/USA) (2003)

 

 

 

J.

Jean-Pierre Jackson.  CA N’EMPECHE PAS LES SENTMENTS (IT DOES NOT PREVENT FEELINGS) (F) (1998)

 

Rick Jacobson. BITCH SLAP (USA) (2009)

 

Alan James. SOS COASTGUARD (USA)  (with William Witney) (1937) (4/8/2009)

 

Jerry Jameson. THE RAINS CAME (US) (1939)

 

Joseph Janni.  MODESTY BLAISE (I/GB) (1966)

 

Christian Jaques.  BABETTE S’EN VA-T-EN GUERRE  (BABETTE GOES TO WAR) (F) (1959)

LA SECONDE VERITE (F) (1965)

 

Alexandre Jardin. FANFAN (FANFAN & ALEXANDRE) (F) (Alexandre Jardin) (1993)

 

Humphrey Jennings. THE TRUE STORY OF LILLI  MARLENE (UK)  (1943)

 

Alain Jessua. TRAITEMENT DE CHOC  (SHOCK TREATMENT)  (F) (1972)

 

Raghunath Jhalani. ANAMIKA (H) (1973)

 

Leo Joannon. LE DESERT DE PIGALLE  (A PRIEST IN PIGALLE) (I/F)  (1958)

 

Phil Joanou. FINAL ANALYSIS (US) (1992)

 

Alex Joffe. DU RIFIFI CHEZ LES FEMMES  (RIFIFI AMONG THE WOMEN) (F/I) (1959)

 

Mark Joffe. SPOTSWOOD (A) (1991)

 

Roland Joffe . GOODBYE LOVER (US/D) (1999)

 

Niall Johnson. KEEPING MUM (SECRETS DE FAMILLE) (UK) (2005)

 

Michael Caton Jones. BASIC INSTINCT 2 (G/UK/USA/S) (2006)

 

Alan Jordan. KISS AND TELL (US) (1996)

 

Neil Jordan. THE CRYING GAME (UK) (1992)

THE BUTCHER BOY (US) (1998)

 

Rudolph Jucert. NACHTS AUF DEN STRASSEN  (THE DETOUR) (NIGHTS ON THE ROAD (US title)) (SEULE SUR LA ROUTE) (D) (called THE MISTRESS when re-released in the USA in 1957) (1952)

Jim Jarmusch. THE LIMITS OF CONTROL (USA/J) (2009)

 

K.

Jan Kadar. TRI PRANI  (THREE WISHES) (CZ) (with Elmar Klos) (1958)

 

Marek Kanievsha. A DIFFERENT LOYALTY (C/UK/US) (2004)

 

Mathieu Kassovitz. BABYLON AD (USA/F/UK) (2008)

 

Lee H Katzin. LE MANS (US)  (1971)

 

Helmut Kautner. KITTY UND DIE WELTKONFERENZ (KITTY AND THE WORLD CONFERENCE) (D) (1939)  

MONPTI (D) (1957)

 

Roy Kellino. I MET A MURDERER (UK) (1939)

 

Gene Kelly. SINGIN’ IN THE RAIN (USA) (with Stanley Donen) (1952)

 

Jeff F. King.  KILLING POINT (Also known as KILL SWITCH) (USA/C) (2008)

 

Cedric Klapisch. RIENS DU TOUT  (LITTLE NOTHINGS) (F) (1992)

 

William Klein. QUI ETES-VOUS, POLLY MAGGOO (F) (1966)

 

Thierry Klifa. MA VIE A’ T’ATTENDRE  (MY LIFE WAITING FOR YOU) (F) (2004)

(*) LE HEROS DE LA FAMILLE  (FAMILY HERO) (F) (2006)

 

Elmar Klos. TRI PRANI  (THREE WISHES) (CZ) (with Jan Kadar) (1958)

 

Pierre Koralnik. ANNA (F) (TVM) (1967)

 

John Korty. GETTING OUT (US) (1994)

 

Henry Koster. D DAY, THE SIXTH OF JUNE (US) (1956)

 

Stanley Kramer.ON THE BEACH (USA) (1959)

 

Stanley Kubrick. LOLITA (USA) or (UK) (1962)

 

 

 

L.

Phillippe  Labro. LA CRIME  (COVER UP) (F)  (1983)

 

Richard LaGravenese.  P.S. I LOVE YOU (USA) (2007)

 

Georges Lampin. CRIME ET CHATIMENT  (CRIME AND PUNISHMENT) (F) (1956)

 

Fritz Lang.

FURY (US) (1936)

YOU ONLY LIVE ONCE (US) (1937)

MAN HUNT (US) (1941)

HANGMEN ALSO DIE (US) (1943)

SCARLET STREET (RUE ROUGE) (US) (1945)

 

Michel Lang. LE CADEAU (EIN PIKANTES GESCHENK)  (A SPICY GIFT) (F/I) (1982)

 

Frank Launder. I SEE A DARK STRANGER (GB) (American title: THE ADULTRESS) (1946)

LADY GODIVA RIDES AGAIN (GB) (1951)

GEORDIE (UK) (1955)

THE BRIDAL PATH (UK) (1959)

 

Georges Lautner. FLEUR D’OSEILLE  (SORREL FLOWER) (F) (1967)

MORT D’UN POURRI  (DEATH OF A CORRUPT MAN) (F) (1977)

FLIC OU VOYOU  (COP OR HOOD) (F) (1979)

LE GUIGNOLO (F/I) (1980)

 

Marc Lawrence. TWO WEEKS NOTICE  (L’MOUR SANS PREAVIS) (US/A) (2002)

 

Philip Leacock. THE BRAVE DON’T CRY (GB) (1952)

THE WAR LOVER (UK/USA) (1962)

 

David Lean. BRIEF ENCOUNTER (UK) (1945)

 

Mathias Ledoux. EN FACE  (FACING) (F) (2000)

 

Ang Lee. CAUTION, LUST (SI JIE) (US/C) (2007)

 

Jack Lee. ONCE A JOLLY SWAGMAN (US title: MANIACS ON WHEELS) (GB)  (1948)

 

Rowland V Lee. LOVE OF A STRANGER (GB) (1937)

 

Spike Lee. SCHOOL DAZE (US) (1988)

 

Michel Legrand.  LES DEMOISELLES DE ROCHEFORT (F) (Musical DVD) (Original film directed by Jacques Demy in 1967) (2004)

 

Claude Lelouch . VOYOU (F)  (1970)

LES UNS ET LES AUTOS  (THE INS AND THE OUTS, BOLERO) (F) (1981)

 

Kasi Lemmons. EVE’S BAYOU (US)  (1997)

 

Francis Leroi.  LE DEMON DANS L’ILE  (DEMON IS ON THE ISLAND) (F) (1983)

 

Richard Lester. THE KNACK AND HOW TO GET IT  (LE KNACK... OU COMMENT  L’AVOIR)  (UK) (1965)

 

Francois Leterrier. PROJECTION PRIVEE  (PRIVATE SCREENING or PRIVATE PROJECTION) (F) (1973)

 

Louis Leterrier. LE TRANSPORTEUR  (TRANSPORTER 2) (F)  (2005)

 

Peter Levin. STRANGER IN TOWN (US)  (1995)

 

Gary Levinsohn. HARD RAIN (US) (with Mark Gordon) (1997)

 

Barry Levinson. TIN MEN (US) (1987)

 

Joseph H. Lewis. MY NAME IS JULIA ROSS (US) (1945)

 

Doug Liman. THE BOURNE IDENTITY (US) (2002)

 

Anatole Litvak. DECISION BEFORE DAWN (USA) (1951)

FIVE MILES TO MIDNIGHT (LE COUTEAU DANS LA PLAIE) (DIE DRITTE DIMENSION) (I/F/UK) (1962)

THE LADY IN A CAR WITH GLASSES AND A GUN (F/USA) (1970)

 

Frank Lloyd. HOOP-LA (USA) (1933)

 

Marc Lobet. MEURTRES A DOMICILE  (EVIL IN THE HOUSE) (B/F) (1982)

 

Konstantin Lopushansky. GADKIE LEBED (DE VILAINS PETITS CANARDS) (THE UGLY SWANS)  (F/R) (2006)

 

Joseph Losey.  ACCIDENT (GB) (1967)

THE ROMANTIC ENGLISHWOMAN (F/UK) (1975)

 

Jean Loubignac. AH! LES BELLES BACCHANTES (F) (1954)

 

Arthur Lubin. IMPACT (US) (Arthur Lubin) (1949)

 

Jamie Luk. ROBOTRIX ( NU JI XIE REN) (HK) (1991)

 

Francois Luciani. LE PROCES DE BOBIGNY  (THE TRIAL OF BOBIGNY) (F) (2005)

 

Sidney Lumet. BYE BYE BRAVERMAN (US) (1968)

 

Rod Lurie. THE LAST CASTLE (US) (2001)

 

Adrain Lyne. UNFAITHFUL (USA/G)  (2002)

 

Jonathan Lynn. GREEDY (US) (1994)

 

Francis D. Lyon. CASTLE OF EVIL (US) (1966)

 

 

 

 

M.

 

Joe Ma. SASORI, LA FEMME SCORPION (J) (2008)

 

Jerzy Macc. NAKED AND FREE.....THE NEW LIFE STYLE (HEIBER SAND AUF SYLT) (WG/USA) (with Peter Savage) (1968)

 

David MacDonald. GOOD TIME GIRL (GB) (1948)

 

Alexander Mackendrick. MANDY (GB) (1952)

 

Louis Malle. ZAZIE DANS LE METRO (F/I) (1960)

 

Jean Marboeuf. GRAND GUIGNOL (F) (1986)

TEMPS DE CHIEN  (HEAVY WEATHER or DOG DAYS) (F) (1996)

 

Stuart Margolm. SALTWATER MOOSE (C) (1996)

 

Richard Marquand. EYE OF THE NEEDLE (GB) (1981)

 

Robert Markowitz. TOO YOUNG TO DIE (USA) (1990)

 

George Marshall. THE BLUE DAHLIA (US) (1946)

 

Miguel Marti. SEXYKILLER (Also known as MORIRAS POR ELLA) (Sp) (2008)

 

Leslie H. Martinson. FATHOM (UK) (1967)

 

Herbert Mason.  BACK-ROOM BOY (GB) (1942)

 

Rudolph Mate. NO SAD SONGS FOR ME (US)  (1950)

MIRACLE IN THE RAIN (US) (1956)

 

Earl McEvoy. CARGO TO CAPETOWN (US) (1951)

 

Joseph McGrath. CASINO ROYALE (UK/USA) (also Val Guest and Robert Hughes with John Huston, Robert Parrish and Richard Talmadge) (1966)

 

Dave McKean. MIRROR MASK (UK/USA) (2005)

 

Bernard Maurice. LES VACANCES DE MONSIEUR HULOT (F) (with Jacques Tati & Pierre Aubert) (1952)

 

Jean-Pierre Melville. BOB LE FLAMBEUR  (BOB THE GAMBLER) (F) (1955)  (21/6/2010)

L’AINE DES FERCHAUX  (AN HOURABLE YOUNG MAN) (F) (1963)

 

Cameron Menzies. THE GREEN COCKATOO (UK) (1937)

 

Agnes Merlet. DOROTHY MILLS (F/Ire) (2008)

 

Takashi Miike. ZEBRAMAN (J) (2004)

 

Lewis Milestone. RAIN (US) (1932)

THE STRANGE LOVE OF MARTHA IVERS (US) (1946)

ARCH OF TRIUMPH (US) (1948)

 

Claude Miller.  MORTELLE RANDONNEE  (DEADLY RUN (or DEADLY CIRCUIT)) (F)  (1983)

 

Dave Miller. MIDNIGHT LACE (USA) (1960)

 

George Miller. THE WITCHES OF EASTWICK (US) (1987)

 

Vincente Minnelli. FATHER OF THE BRIDE (USA) (1950)

THE BAD AND THE BEAUTIFUL (F) (1953)

THE BAND WAGON (USA) (1953)

 

Mozhe Mizrahi. EVERY TIME WE SAY GOODBYE (USA/ISR) (1986)

 

Jean-Paul Mocky. SOLO (F) (1970)

 

Jean-Pierre Mocky. A MORTE L’ARBITRE (KILL THE REFEREE) (F)  (1984)

GELD ODER LEBEN  (YOUR MONEY OR YOUR LIFE) (LA BOURSE OU LA VIE) (D/F/I) (1965)

IL GELE EN ENFER (IT FREEZES IN HELL) (F) (1990)

 

Edouard Molinaro. UNE RAVISSANTE IDIOTE  (THE RAVISHING IDIOT) (F/I) (1964)

LA MANDARINE  (SWEET DECEPTION) (F/I) (1972)

 

Mario Monicelli .  LA RAGAZZA CON LA PISTOLA  (GIRL WITH A PISTOL) (I) (1968)

 

Milli Monti. ON SUCH A NIGHT (US) (with E.A. Dupont and Karen Morley) (1937)

 

John Moore.  MAX PAYNE (C/USA) (2008)

 

Karen Morley. ON SUCH A NIGHT (US) (with E.A. Dupont and Milli Monti) (1937)

 

Llewellyn Moxey. HOME FOR THE HOLIDAYS (US TVM)  (1972)

 

 

 

N.

Kurt Nachman. MACH ALLES MIT (G) (1971)

 

Ivan Nagy. MIDNIGHT LACE (Remake) (USA) (1981)

 

Hideo Nakata. HONOGURAI MIZU NO SOKO KARA (DARK WATER) (J) (2002)

 

Silvio Narizzano. THE CLASS OF MISS MACMICHAEL (UK)  (1978)

 

Ronald Neame. THE MAN WHO NEVER WAS (UK) (1956)

 

Jean Negulesco. ROAD HOUSE (US) (1948)

JOHNNY BELINDA (USA) (1948)

THREE CAME HOME (US) (1950)

PHONE CALL FROM A STRANGER (US) (1952)

THE BEST OF EVERYTHING (US) (1959)

 

Gary Nelson.  GET SMART AGAIN (US-TVM) (1989)

 

Mike Newell.  DANCE WITH A STRANGER (GB) (1985)

 

Guillaume Nicloux. CETTE FEMME-LA  (HANGING OFFENSE) (F)  (2003)

 

Mark Neveldine. ULTIMATE GAME (USA title GAMER) (F) (with Brian Taylor) (2009)

 

Sam Newfield. CRASHING THROUGH DANGER (UK) (1938)

 

Noel Nosseck. FALSELY ACCUSED (US) (1993)

 

 

 

O.

Damien O’Donnell. EAST IS EAST (GB) (1999)

 

George Moore O’Ferrall. THE HEART OF THE MATTER (UK) (1953)

 

Ermanno Olmi. IL POSTO (I) (1961)

 

Rolf Olsen.  DAS RASTHAUS DER GRAUSAMEN PUPPEN  (THE DEVILS GIRLS) (I/WG) (1967)

 

David Ondricek. GRAND HOTEL (CZ)  (2006)

 

Fabien Onteniente. A LA VITESSE D’UN CHEVAL AU GALOP (THE SPEED OF A RACING HORSE) (F) (1992)

 

Max Ophuls. CAUGHT (US) (1949)

 

Francois Ozon. THE SWIMMING POOL (F/UK) (2003)

 

 

P.

Marcel Pagnol. LA FEMME DU BOULANGER (F)  (1938)

 

Alan J Pakula. KLUTE (US) (1971)

 

Bruce Paltrow. A  LITTLE SEX (US) (1982)

 

Gary Parker. THE GIRL IN THE PICTURE (UK) (1985)

 

Robert Parrish. CASINO ROYALE (UK/USA) (also Val Guest and Robert Hughes with John Huston, Joseph McGrath and Richard Talmadge) (1966)

 

Gordon Parry. TREAD SOFTLY STRANGER (UK) (1958)

 

Denys De La Patelliere. LE TONNERRE DE DIEU  (GOD’S THUNDER) (F/I/WG) (1965)

 

Michael Pattinson. ALMOST (A) (1990)

 

John Payson. JOE’S APPARTMENT (US) (1996)

 

Max Pecas. ZARTE HAUT IN SCHWARZER SEIDE  (DANIELLA BY NIGHT) (WG/F) (1961)

 

Larry Peerce. A WOMAN NAMED JACKIE (USA) (1991)

 

Etienne Perier. A BRIDGE TO THE SUN (USA/F) (1961)

 

Anthony Perkins. PSYCHO 3 (US) (1986)

 

Wolfgang Peterson. THE PERFECT STORM (USA) (2000)

 

Elio Petri. THE TENTH VICTORY (F/I) (1965)

 

Claude Pinoteau.  LA GIFLE  (THE SLAP) (F/I) (1974)

 

Zdenek Podskalsky. KAM CERT NEMUZE (WHEN THE WOMAN BUTTS IN) (CZ) (1959)

 

Jean-Marie Poire. LES ANGES GARDIENS  (GUARDIAN ANGELS) (F) (1995)

 

Jacques Poitrenaud. LE CANARD EN FER BLANC (MERCENARIOS DEL AIRE) (F/S) (1967)

 

Roman Polanski. REPULSION (UK) (1965)

BITTER MOON (US/GB) (1993)

 

Sydney Pollack. TOOTSIE (US) (1982)

 

Michael Powell. I KNOW WHERE I’M GOING (GB) (with Emeric Pressburger) (1945)

 

Dick Powell. THE HUNTERS (US) (1956)

 

Andrea Prandstraller. ULTIMO METRO  (LAST METRO) (I) (1999)

 

Otto Preminger. IN THE MEANTIME, DARLING (US) (1944)

THE MAN WITH THE GOLDEN ARM (US) (1955)

 

 Emeric Pressburger. I KNOW WHERE I’M GOING (GB) (with Michael Powell) (1945)

 

 

Q.

Richard Quine. THE LIFE OF SUZIE WONG (US) (1960)

HOW TO MURDER YOUR WIFE (COMMENT TUER VOTRE FEMME) (USA) (1965)

 

 

R.

Sam Raimi. SPIDER MAN (USA) (2002)

 

Alvin Rakoff. HOFFMAN (GB) (1970)

 

Bernard Rapp. TIRE A PART  (LIMITED EDITION) (F) (1997)

 

Irving Rapper. THE VOICE OF THE TURTLE (US) (1948)

 

Steve Rash. THE BUDDY HOLLY STORY (US)  (1978)

 

Carol Reed. THE STARS LOOK DOWN (GB)  (1938)

GIRL IN THE NEWS (GB) (1940)

THE FALLEN IDOL  (PREMIERE DESILLUSION) (GB) (1948)

THE THIRD MAN (GB) (1949)

THE KEY (USA) (1958)

OUR MAN IN HAVANA (UK) (1959)

 

Peyton Reed. YES MAN (USA/A) (2008)

 

Annelise Reenberg. TRE PIGER FRA JYLLAND (DK) (1957)

 

Geoffrey Reeve. PUPPET ON A CHAIN (GB) (1970)

 

Matt Reeves. THE PALLBEARER (US) (1996)

 

Rob Reiner. A FEW GOOD MEN (USA) (1992)

 

John Reinhardt. BRIEFTRAGER MULLER  (MAILMAN MUELLER) (D) (1953)

 

Harold Reinl. DER FROSCH MIT DER MASKE (THE FELLOWSHIP OF THE FROG) (D) (1959)

 

Charles Reisnar. THE HOLLYWOOD REVUE OF 1929 (US) (1929)

 

Ivan Reitman. KINDERGARTEN COP (US) (1990)

 

Alain Resnais. SMOKING / NO SMOKING (F) (1993)

 

Karel Reisz. SATURDAY NIGHT SUNDAY MORNING (UK) (1960)

 

Ivan Reitman. GHOSTBUSTERS (US) (1984)

MY SUPER EX-GIRLFRIEND (US) (2006)

 

Jean Renoir. LA BETTE HUMAINE (F) (1938)

LA REGLE DU JEU  (THE RULES OF THE GAME) (F)  (1939)

THE WOMAN ON THE BEACH (US) (1947)

 

Alain Resnais.  MON ONCLE D’AMERIQUE  (MY AMERICAN UNCLE) (F) (1979)

L’AMOUR A’ MORT  (LOVE UNTO DEATH) (F) (1984)

 

Tony Richardson. A TASTE OF HONEY (UN GOUT DE MIEL) (GB) (1961)

BILLY LIAR (GB) (1963)

 THE HOTEL NEW HAMPSHIRE  (L’HOTEL NEW HAMPSHIRE) (UK/C/USA) (1984)

 

Wolf Rilla. BACHELOR OF HEARTS (UK) (1958)

 

Dino Risi. THE SIGN OF VENUS (I) (1955)

 

Martin Ritt. PARIS BLUES (US)  (1961)

NORMA RAE (US) (1979)

 

Jay Roach. GOLDMEMBER (US) (2002)

 

Mark Robson. I WANT YOU (US) (1950)

 

Nicholas Roeg. DON’T LOOK NOW (GB)  (1973)

 

Eric Rohmer. LA FEMME DE L’AVIATEUR  (THE AVIATOR’S WIFE) (F) (1981)

LE BEAU MARIAGE  (A GOOD MARRIAGE) (F)  (1982)

 

Bernard-Roland. LA NUIT DES TRAQUES (F/B) (1959)

 

George A. Romero. NIGHT OF THE LIVING DEAD (US) (1968)

 

Craig Rosenberg. HALF LIGHT (D/UK) (2006)

 

Stuart Rosenberg. WUSA (US)  (1970)

THE AMITYVILLE HORROR (US) (1979)

 

Herbert Ross. FUNNY LADY (US) (1975)

STEEL MAGNOLIAS (USA) (1989)

 

Roberto Rossellini. STROMBOLI (I) (1950)

SIAMO DONNE  (NOUS LES FEMMES) (I) (with Gianni Franciolini, Luigi Zampa, Luchino Visconti) (1953)

 

Sigi Rothemund. DAS HAUS AM WATT (D) (1990)

 

Jacques Rouffio. LE SUCRE (THE SUGAR) (F) (1978)

 

Jacques Rozier. MAINE OCEAN (F) (1986)

 

Willy Rozier. L’EPAVE (F) (1949)

 

Ken Russell. TOMMY (GB) (1975)

 

Roy Del Ruth. THE BROADWAY MELODY OF 1938 (US) (1937)

THE BABE RUTH STORY (US) (1948)

 

Mark Rydel. THE RIVER (US) (1984)

 

 

S.

Boris Sagel. THE HELICOPTER SPIES (US) (1968)

 

Ramon Salazar. PIEDRAS (STONES) (S) (2002)

 

Walter Salles. DARK WATER (USA) (2005)

 

Mark Sandrich. SKYLARK (USA) (1941)

 

Alfred Santell. INTERNES CAN’T TAKE MONEY (US) (1937)

 

Peter Sasdy. I DON’T WANT TO BE BORN (UK) (1975)

 

Claude Sautet. MAX ET LES FERAILLEURS (COMMISSARIO PELISSIER) (F) (1971)

CESAR ET ROSALIE  (CESAR AND ROSALIE)  (F) (1972)

 

Peter Savage.  HEIBER SAND AUF SYLT  (NAKED AND FREE.....THE NEW LIFE STYLE) (WG/USA) (with Jerzy Macc) (1968)

 

Nancy Savoca. DOGFIGHT (US) (1991)

 

John Schlesinger. A KIND OF LOVING (GB) (1962)

DARLING (UK) (1965)

YANKS (USA/WG/UK) (1979)

 

Ernest Schoedsack  KING KONG (US) (1933) (and Merian C. Cooper)

 

Frederic Schoendoerffer. AGENTS SECRETS (AGENTES SECRETOS) (also known as SPY BOUND or SECRET AGENTS) (F/I/S) (2004)

 

Pierre Schoendoerffer.  PECHEUR D’ISLANDE (ICELAND FISHERMAN) (F) (1959)

 

Volker Schloendorff. DIE FAELSCHUNG (FALSE WITNESS or CIRCLE OF DECEIT) (D) (1981)

 

Barbet Schroeder. MAITRESSE  (MISTRESS) (F) (1975)

SINGLE WHITE FEMALE (J.F. PARTAGERAIS APPARTMENT) (US) (1992)

 

Joel Schumacher. ST ELMO’S FIRE  (US)  (1985)

 

Stefan Schwartz. SHOOTING FISH (UK) (1997)

 

Arnold Schwarzenegger. LAST ACTION HERO (US) (1993)

 

Martin Scorsese. AFTER HOURS (USA) (1985)

 

Ewing Scott. WINDJAMMER (US) (1937)

 

Ridley Scott. BLADE RUNNER (US) (1982)

A GOOD YEAR (US) (2006)

 

Tony Scott. THE HUNGER  (LES PREDATEURS) (UK) (1983)

 

Francis Searle. MAN IN BLACK (GB) (1949)

A CASE FOR PC 49 (GB) (1950)

 

Peter Segal. ANGER MANAGEMENT  (SELF CONTROL) (US) (2003)

 

George B. Seiltz. BETWEEN TWO WOMEN (US) (1937)

 

Steve Sekely. THE DAY OF THE TRIFFIDS (GB) (1962)

 

Dominic Sena. SWORDFISH (US) (2001)

 

Vernon Sewell. WHERE THERE’S A WILL  (UK) (1955)

 

Tom Shahyac. BRUCE ALMIGHTY (USA) (2003)

 

Steven Shainberg.  SECRETARY (US) (2002)

 

Don Sharp. PSYCHOMANIA (UK) (1971)

TEARS IN THE RAIN (UK) (1988)

 

Alfred Shaughnessy. CAT GIRL (UK)  (1957)

 

Melville Shavelson. A NEW KIND OF LOVE (US)  (1963)

 

James Sheldon. GIDGET GROWS UP (US) (1969)

 

Takashi Shimizu. RINNE (REINCARNATION) (J) (2005)

 

Charles Shyer. FATHER OF THE BRIDE (US) (1991)

 

George Sidney. PAL JOEY (US)  (1957)

 

Robert Siodmak. PHANTOM LADY (US) (1944)

 

Vladimir Sis. U NAS V MECHOVE (HERE IN MECHOVE) (CZ) (1960)

 

Alf Sjöberg. IRIS OCH  LOJTNANTSHJARTA (IRIS AND THE LIEUTENANT) (S) (1946)

 

Jerzy Skolimosky.  LE DEPART  (THE DEPARTURE) (F) (1967)

DEEP END (US/WG) (1970) (Jerzy Skolimoski).

 

George Sluizer. CRIMETIME (GB/USA) (1996)

 

Ralph Smart. A BOY A GIRL AND A BIKE (UK) (1947)

 

Jack Smight. HARPER (USA) (1966)

AIRPORT 1975 (US) (1974)

 

Mario Soldati. LA PROVINCIALE (I) (1953)

 

Alfred Sole. ALICE SWEET ALICE (US) (1976)

 

Steven Spielberg. CATCH ME IF YOU CAN (US) (2002)

 

Jill Sprecher. CLOCKWATCHERS (USA) (1997)

 

George Stevens. GIANT (USA) (1956)

 

Robert Stevenson. JOAN OF PARIS (US/F)  (1942)

 

Jon Stone. CHRISTMAS EVE ON SESAME STREET (USA)  (1979)

 

Mark Stuart. PLEASE SIR! (UK) (1971)

 

Mel Stuart. ONE IS A LONELY NUMBER (US) (1972)

 

Peter Sykes. STEPTOE AND SON RIDE AGAIN (GB) (1973)

 

Jeannot Szwarc. LES SOEURS SOLEIL (THE SISTERS SOLEIL) (F) (1996)

 

 

 

T.

Richard Talmadge. CASINO ROYALE (UK/USA) (also Val Guest and Robert Hughes with John Huston, Joseph McGrath and Robert Parrish) (1966)

 

Alain Tanner. UNE FLAMME DANS MON COEUR (A FLAME IN MY HEART) (F) (1987)

 

Brian Taylor. ULTIMATE GAME (USA title GAMER) (F) (with Mark Neveldine) (2009)

 

Quentin Tarantino. KILL BILL VOLUME 1 (US) (2003)

 

Frank Tashin. HOLLYWOOD OR BUST (USA) (1956)

THE ALPHABET MURDERS (UK) (1966)

 

Jacques Tati. LES VACANCES DE MONSIEUR HULOT (F) (with Bernard Maurice & Pierre Aubert) (1952)

MON ONCLE (F) (1958)

PLAYTIME (F/I) (1967)

 

Norman Taurog. DOCTOR GOLDFOOT AND THE BIKINI MACHINE (US) (1965)

 

Bertrand Tavernier. UNE SEMAINE DE VACANCES (A WEEK’S HOLIDAY) (F)  (1980)

COUP DE TORCHON  (CLEAN SLATE (USA) (CLEAN UP (UK)) (F) (1981)

 

Gerald Thomas. TWICE AROUND THE DAFFODILS (UK)  (1962)

CARRY ON ABROAD (GB) (1972)

 

Ralph Thomas. DOCTOR IN THE HOUSE (GB) (1954)

MAD ABOUT MEN (GB) (1954)

PERCY (UK) (1971)

 

Danielle Thompson. FAUTEUILS D’ORCHESTRE  (ORCHESTRA SEATS) (F) (2006)

 

J Lee Thompson. BROTHERLY LOVE (US) (1970)

 

Chris Thomson. THE DELIQUENTS (A) (1989)

 

Eric Till. THE WALKING STICK (GB) (1970)

 

James Tobach. EXPOSED (US) (1983)

 

Guillermo del Toro. CRONOS (Mex) (1993)

 

Jean Claude-Tramont.  LE POINT DE MIRE  (FOCAL POINT) (F) (1977)

 

Lars von Trier. ANTICHRIST (DK/D/F/S/P) (2009)

 

Pierre Trividic. L’AUTRE (F) (with Patrick-Mario Bernard) (2009)

 

Francois  Truffaut.  TIREZ SUR LE PIANISTE  (SHOOT THE PIANO PLAYER) (F) (1960)

LA FEMME D’A COTE  (THE WOMAN NEXT DOOR) (F) (1981)

 

Montgomery Tully. BOYS IN BROWN (UK) (1949)

 

Frank Tuttle. THIS GUN FOR HIRE (US)  (1942)

 

 

U.

Marcel Uarnell. ASK A POLICEMAN (GB) (1938)

 

Memduh Ün. CEVRIYEM (T)  (1978)

 

 

V.

Roger Vadim. AND GOD CREATED WOMAN (F)  (1956)

 

Paul Vecchiali . FEMMES FEMMES  (WOMEN WOMEN) (F) (1974)

 

Gerard Vergez. BRAS DE FER  (OVER THE TOP) (F) (1985)

 

Paul Verhoven. WAT ZIEN IK!? (DIARY OF A HOOKER) (N) (1971)

 

Henri Verneuil. LE FRUIT DEFENDU  (FORBIDDEN FRUIT) (F)(1952)

L’ENNEMI PUBLIC NO. 1 (THE MOST WANTED MAN) (US title THE MOST WANTED MAN IN THE WORLD CARNAVAL) PUBLIC ENEMY NO. 1 (L’ENNEMI PUBLIC NUMERO UN) (F/I) (1953)

 DES GENS SANS IMPORTANCE  (PEOPLE OF NO IMPORTANCE) (F) (1955)

MILLE MILLIARDS DE DOLLARS  (A THOUSAND BILLION DOLLARS) (F) (1982)

 

Marion Vernoux. A BOIRE (F) (2004)

 

Victor Vicas. THE WAYWARD BUS (US) (1957)

 

Francois Villiers. LE PIUT AUX TROIS VERITES (F)  (1961)

 

Joseph  Vilsmaier. MARLENE (D/I) (2000)

 

Luchino Visconti.  SIAMO DONNE  (NOUS LES FEMMES) (I) (with Roberto Rossellini, Gianni Franciolini, Luigi Zampa) (1953)

 

Kurt Voss.  POISON IVY – THE NEW SEDUCTION (FLEUR DE POISON) (USA) (1997)

 

 

 

 

W.

George Waggner. OPERATION PACIFIC (US) (1951)

 

Wong Kar Wai. CHUNGKING EXPRESS (HK) (1994)

 

Rauol Walsh. A LION IS IN THE STREETS (US) (1953)

 

Regis Wargnier. A FRENCH WOMAN (UK/F/G) (1995)

PARS VITE ET REVIENS TARD (HAVE MERCY ON US ALL or SEEDS OF DEATH) (B) (2007)

 

John Waters. PECKER (US)  (1998)

 

Alfred Weidenmann.  ICH SUCHE EINEN MANN  (I AM LOOKING FOR A MAN) (D)  (1965)

 

Peter Weir. THE LAST WAVE (AUS) (1977)

 

Orson Welles. JOURNEY INTO FEAR (US) (uncredited ) (with Norman Foster) (1942)

 

Wim Wenders. HAMMET (US) (1982)

UNTIL THE END OF THE WORLD (F/D/AUS) (1991)

 

Paul Wendkos. THE MEPHISTO WALTZ (US) (1971)

 

Claude Whatham. THAT’LL BE THE DAY (UK) (1973)

ALL CREATURES GREAT AND SMALL (GB) (1974)

 

Tim Whelan. ST MARTINS LANE (or SIDEWALKS OF LONDON) (GB) (1938)

 

Edward Whiting. THE ADVENTURES OF JANE (GB) (with Alfred Goulding) (1949)

 

Ricard Whorf. TILL THE CLOUDS ROLL BY (LA PLUIE QUI CHANTE) (USA)  (1946)

 

Cornel Wilde. NO BLADE OF GRASS (GB) (1970)

Billy Wilder. THE WITNESS FOR THE PROSCECUTION  (TEMOIN A CHARGE) (USA/GB) (1957)

IRMA LA  DOUCE (USA) (US) (1963)

 KISS ME STUPID (EMBRASSE MOI IDIOT) (USA) (1964)

FEDORA (USA/D/F) (1978)

 

Jonathan Winfrey. BLACK SCORPION (US) (1995)

BLACK SCORPION 2: GROUND ZERO (US) (1996)

 

Michael Winner. A CHORUS OF DISAPPROVAL (GB) (1988)

 

Robert Wise. SOMEBODY UP THERE LIKES ME (US) (1956)

 

Len Wiseman. UNDERWORLD (UK/D/H/USA) (2003)

 

William Witney. SOS COASTGUARD (USA)  (with Alan James) (1937)

 

Joe Wright. ATONEMENT (UK/F) (2007)

 

 

Y.

David Yates. HARRY POTTER & THE ORDER OF THE PHOENIX (UK/USA) (2007)

 

Roger Young. LASSITER (US) (1984)

 

Terence Young. SERIOUS CHARGE (UK) (1959)

DR NO (UK) (1962)

TRIPLE CROSS (GB/F) (1966)

 

 

Z.

Luigi Zampa. SIAMO DONNE  (NOUS LES FEMMES) (I) (with Roberto Rossellini, Gianni Franciolini,  Luchino Visconti) (1953)

 

Franco Zeffirelli. TEA WITH MUSSOLINI (I/UK)  (1999)

 

Ariel Zeitoun.  BIMBOLAND (F) (1998)

 

Robert Zemekis. I WANNA HOLD YOUR HAND (US) (1978)

 

Claude Zidi. LES RIPOUX  (LE COP (UK)) (MY NEW PARTNER (USA)) (F) (1984)

LES RIPOUX 2 (or RIPOUX CONTRE RIPOUX) (LE COP 2) (F) (1990)

 

Howard Zief.  PRIVATE BENJAMIN (US)  (1980)

 

Fred Zinnermann. FROM HERE TO ETERNITY (USA) (1953)

JULIA (US) (1977)